Posts Tagged ‘Pushing Daisies’
Inspired by i09′s Death Week* and more specifically, their re-posting of Charlie Jane Anders‘ Ten Coolest Death Scenes in Science Fiction History, I got to thinking about how many characters bite the big one in pilots. Death often marks a beginning — often for the survivor learning to carry on, but sometimes even for the dead getting on with the afterlife. So, going to the great DVR in the sky makes a good event for a first episode. Here are some of my favs, in no particular order.
Major spoilers after the jump.
Growing up, I’m sure I caught reruns of The Munsters now and then but they didn’t make much of an impression. I basically thought of them as the other Addams Family. The two shows actually ran during the same two seasons (1964-1966). Guess they were the Once Upon a Time and Grimm of their day.
The show was produced by Joe Connelly and Bob Mosher, creators of Leave it to Beaver. They seem to have drawn on their background with that show, preserving the familial love, but hightening and spoofing it.
The premise for The Munsters doesn’t need much explanation; it’s about a family of old horror movie-esqe monsters. As the pilot opens, we first meet Marilyn (Beverly Owen), a normal, pretty blonde young woman, kissing her date goodnight on the front porch. Marilyn explains that the couple she lives with are her aunt and uncle, with whom she has lived since she was a baby. She frets about introducing her date, Tom, to her family, and Tom invites all of them to a party his parents are throwing. Read the rest of this entry »
How well do you know the titles of episodes of your favorite shows? Do you even give them a thought? Some shows get pretty creative. Some naming conventions are discussed here.
Pilot episodes are usually just called “Pilot,” possibly because the creators don’t know quite where the show is headed. But some shows have really cool pilot titles. Often, titles are added after the fact, possibly when the show is released on DVD.
Here are some of my favorite pilot titles I’ve come across. See if you can guess what shows they belong to. Answers are after the jump.
- Chuck Verses the Intersect
- Welcome to the Hellmouth
- Simpsons Roasting on an Open Fire
- Days Gone Bye
- Space Pilot 3000
- The One Where Monica Gets a Roommate, a.k.a. The First One
- Sex and Violence (actually a second pilot, whatever that means)
- Everybody Lies
We know in an instant that Pushing Daisies is going to be an unusual show. The first image we see is of an endless field of bright yellow flowers capped by an impossibly blue sky. A narrator with a deep, storyteller voice tells us that the little boy and his dog running through the flowers are Ned and Digby, along with their ages, down to the minute.
Digby is dramatically run down by a truck, but when Ned touches him, more with curiosity than sadness, the dog jumps up fully alive. Ned, we are told, has the ability to bring dead things back to life. Now pay attention. His mom is struck dead by on the kitchen floor by an aneurysm. Ned brings her back to life. Exactly one minute later, the man across the street drops dead. The dead guy’s daughter is Chuck, the apple of Ned’s eye. When Ned hugs his mom good night, she dies. Again. It’s a complicated gift, and if you missed this first three minutes, I doubt you would make much sense out of the show later on. One touch brings someone back to life, a second kills them. If the person is kept alive for more than one minute, someone nearby dies is his stead.
Fast forward to present day. Ned (the adorable Lee Pace) owns a pie shop. Emerson Cod (Chi McBride), a customer and a private investigator, has recruited Ned to help him investigate murders. It’s a big—and refreshing—leap from the normal cop-with-an-unusual-partner show. Kristen Chenoweth plays the pixie-like waitress Olive, who has a thing for Ned.
Soon, we see Ned and Emerson in action, as Ned sets his watch alarm for one minute and wakes a dead guy to find out how he got that way. Bam, the mystery is solved, and the audience has a sense of how the show will go.
Things become more complicated, however, when the next murder victim turns out to be Chuck (Anna Friel, kind of a British Zooey Deschanel–that’s a good thing), Ned’s childhood crush. He wakes her; she’s spunky, she’s charming, and reveals that the two of them were each other’s first kiss. Awww… Ned can’t bring himself to re-kill her, so after a minute, she is stuck between life and death for good. What really sucks is Ned has found the love of his life and he can’t touch her. Great dramatic tension, if difficult to believe.
The rest of the pilot (titled “Pie-lette”) involves solving Chuck’s murder, and protecting her aunts, Vivian and Lillian, from the killer. The aunt’s back story is that they are former synchronized swimming stars until one lost an eye, and now they are agoraphobics with a penchant for cheese.
To love this show requires buying fully into the premise. You have to treat it like the beautiful storybook that it is and not over-think reality. The characters talk at Gilmore Girls speed, and plays on words fly back and forth like ping-pong balls. Every detail matters. There is a sort of 1950s aesthetic in both the language and the look. Color in this show is a character in itself. Everywhere there are brighter-than-life hues, from the bulbous cherry red lamps in the pie shop to Olive’s floral print wallpaper and matching pajamas.
As with creator Bryan Fuller’s other shows, Dead Like Me and Wonderfalls, not enough people apparently got it. It was, however, nominated for several Emmys, winning for Directing, Editing, Music Composition (2008), Art Direction, Make-up, Costumes, and Best Supporting Actress—Kristen Chenoweth (2009). Honestly, it was one of those impossible to sustain premises, much like in the aforementioned shows, that couldn’t work forever. But the Pie-lette is delicious.
There are lots of lists floating around out there of TV shows that were cancelled before their time, but it does seem that Fox is responsible for a disproportionate number of them. Family Guy has alluded to this trend at least twice (I expect they’re already writing jokes about the cancellation of The Cleveland Show, but more on that later.) Topless Robot recently posted their list of the 20 Greatest Show Cancelled by Fox Before Their Time.
I have not seen all of the shows on the list—I don’t even remember a couple of them—but that’s part of the fun in lamenting cancelled shows. You feel a certain sense of ownership when you can say you just loved a show, and most people have never heard of it. Case in point, Wonderfalls, which ranks #7. This was a brilliant, clever, funny show by the guy behind Dead Like Me and Pushing Daises–other brilliant, cancelled shows. (Oh, Bryan Fuller, you’re so misunderstood.) Given that it only aired for four weeks before being pulled, it’s understandable that it is little remembered. There were 13 episodes filmed, though, and they are available on DVD. A post on the Wonderfalls pilot is high on my to-do list.
I have to wholeheartedly agree with Topless Robot’s # 1 and 2 picks, Firefly and Futurama, respectively. Both had fantastic pilots that pulled the viewer into a whole new world. Both lived beyond cancellation, Firefly as the film Serenity, and Futurama in a series of straight-to-DVD movies and a forthcoming reincarnation on the Cartoon Network. And any Comic-Con attendee can tell you both of these properties inspire mad loyalty from fans. So check back here in the future for posts on all three of these kickass shows.