Category Archives: Web Shows

The Guild

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So I’m sitting at Comic-Con singing along to Dr. Horrible’s Sing Along Blog and loving Felicia Day in spite of her questionable singing ability and thinking “How the hell have I not blogged about The Guild“? (Felicia even stopped by to say hi and thank the fans–she’s adorable.)

In case you’re not familiar, The Guild is a web series that’s been running since 2007, about a group on online gamers. It was created by Felicia Day, previously known in the Whedonverse as Vi on Buffy the Vampire Slayer.

We meet our heroine as she’s having a bad Friday night. She’s sitting at home alone, unemployed, and having not left the house in a week and recently dumped by her therapist. What we quickly realize, though is this is pretty much a normal Friday night for her.

In this 4-minute episode, titled Wake-Up Call, we have just brief introductions to protagonist Codex and the other players in her guild. We flash back to the phone conversation Codex had wherein her therapist dumped her. As the therapist accuses her of lacking motivation to conquer her addiction, Codex fumbles with the computer, participating in a heated guild run. The game is not named but we assume it’s World of Warcraft. (It probably helps to be a gamer, but you don’t have to be one to get the show.)

Each of the other four players is seen in turn, and the show does not shy away from gamer sterotypes. There’s an overweight woman who’s neglecting her kids, an unattractive guy who eats constantly, a skeevy younger guy who weaves sexual innuendo into all conversation, and a perky Asian girl accessing the web on multiple devices at once. One guy, however, is missing, and we’re about to find out why.

It doesn’t take long to realize that this group of disparate warriors is closeknit in a way that only people who have never seen each other can be. “I hear them. It’s good enough for the blind,” Codex tells her therapist. This is the perfect example of this show’s wry style of humor.

However, the line that really sums up our heroes’ situation comes a couple of episodes later: “You can’t log off of your own life.”

The Guild, in many ways, set a precedent for web TV, employing strong writing, production values, and acting, while catering to a niche audience. Here’s an interview Felicia did about the show early in its run.

Pilot-y Tidbits from Comic-Con

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H+

This new web series, produced by Bryan Singer, was teased to minimal fanfare–actually, lumped together in a panel with Mortal Combat: Legacy–but it looks highly promising. The premise is that a good chunk of the world’s population has been tied into some futuristic version of the internet, where information is downloaded straight to your brain. Due to a glitch, a third of those people have dropped dead. Those remaining are left to figure out what the frak happened. Here’s a trailer.

What sounds cool about this series is, you will be able to view the episodes (48 total) in the order of your choosing, organizing them by character, chronologically, or geographically. This approach capitalizes on the uniqueness of the medium, rather than just creating a show as one would for television and throwing it up on the web.

Effin With Tonight

This animated series created by former Tonight Show writer Jim Shaughnessy is set to launch on the web at Crackle.com. They screened a clip and it looks pretty damn funny. It stars Patrick Warburton (The Tick, Family Guy, Venture Bros., etc., etc., etc. This guy is in everything.) as well as Joe Cipriano (the voice of Animation Domination). It’s basically an animated late night talk show that parodies everything that Shaughnessy despised about his old gig. And, in the panel, he made no bones about how much he hated it. They’re hoping to take it to a network, but I can see it being about as successful as the equally irreverent and highly underrated Sit Down, Shut Up.

Writing for TV

This was just a random tidbit I picked up in a panel on writing genre TV. It used to be you needed to write spec scripts of existing shows to break into writing. Now, according to the panelists, there is more demand for scribes who have written their own pilots. Still no solid advice on how the hell you get that script into the hands of anyone who gives a damn, but one writer had an interesting story about how she wooed Joss Whedon.

Archer

This was not a pilot, but the first of three-part story arc that will run this September. It was too awesome not to mention. This mini-story takes our hero, “Duchess,” out of his usual surroundings at ISIS and places him on the high seas, and introduces a new character, played by–you guessed it–Patrick Warburton. There are pirates. ‘Nuff said.

Partial or complete pilots of a number of other shows were screened during the Con, including Terra Nova, Alcatraz, Person of Interest, The Secret Circle and Locke & Key. Reviews and opinions abound so I won’t rehash. But the fall season is looking up.

Ark

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The pilot of this web series functions like a cold open would in a television series. You can barely call it a set-up. We see a character in a situation, and just as we get a wider angle—literally and figuratively—it’s over. The protagonist, whose name as far as we know, is “Mom,” is dozing on a couch in a messy living room. Her child is operating a handheld video camera while trying to wake her up, but she shoos him away. Then, somehow, she is inside a container not much bigger than a coffin. Saying any more would be a spoiler. As a pilot, this is light on exposition, big on suspense; great combo.

IKEA Heights

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Sometimes a new show is wonderful just for its weirdness. Just hearing the background of IKEA Heights  (created by Channel 101) got me saying, “must watch!” A group of young, enterprising filmmakers and actors shot a mini soap opera for the web in IKEA. Genius! You’ve got all your sets right there: bedrooms, kitchens, a restaurant. The best part however, is that they did it during regular business hours without IKEA knowing what was going on. They’re already my heroes. This may or may not have been inspired by a scene in 500 Days of Summer, but it’s pretty original.

The show begins where any melodrama should; in bed. A couple wakes up, they have some words. The words aren’t that important. There’s some tension in the relationship, blah, blah. The important thing about the scene is to get your head around the setting. The guy is in his clothes. The lighting is awful. There’s one of those signs on the bedside table telling you how much the Frngl costs.

The opening credits are fun, too. If you’ve ever shopped at IKEA you know the sights, from the Japanese ceiling lamps to the posters of meatballs. The filmmakers take advantage of all the possible “sets,” with moving on to a kitchen scene, where no water flows from the tap, to an office where the desk is clearly priced at $300, and then the pillow department, which stands in for a factory.

The main character is James, and he’s got some pretty big problems. His glamorous wife is cheating, he’s not doing so well at work, and he’s got a missing brother. Or something. Like I said, it doesn’t really matter what’s going on. The actors enjoy every second of this, milking the silliness for all it’s worth. The show wouldn’t work any other way. There actually is a plot, too, complete with a cliffhanger ending enticing us to keep watching. This is the kind of thing that wouldn’t exist without the web and the whole DIY ethos it brings.

Web Therapy

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When Lisa Kudrow first looked at the camera, smiled her patronizing smile and said, “Hi, I’m…” I swear I thought she was gonna say “Regina Phalange.” It’s always an adjustment to accept an actor we’ve watched for a long time as one character, as another. And this Fiona Wallace character has the air of Phoebe Buffay putting on her Regina alter ego. In other words, she’s not exactly natural. But that’s not the idea. This pilot lets us know immediately what tone it’s going to take.

We see the desktop of Fiona’s computer as she gets to work conveying the show’s premise. She is a therapist (legitimate?) treating people via the web in three-minute sessions. The pilot is actually seven minutes long which, when we’ve been prepared for three, feels a bit long. The funny thing about media made for the web is we demand brevity.

Visually, it’s super simple, and it’s really just one joke. Fiona is treating a nerdy man named Richard. They greet each other with “it’s so nice to see you,” etc. even though it’s the first session, so we’re prepared for a history. It slowly comes out that they’ve had a relationship, possibly romantic. Each has his/her own perception of past events though, and both are a little nuts, so we’re not sure whose version of reality to buy.

Based on this first episode, the premise seems thin for an ongoing show, but somehow it’s in its third season. I haven’t watched to find out, but hopefully a season arc emerges, keeping the viewer coming back. Perhaps we haven’t seen the last of Richard; but how much sexual tension can you build showing two characters who aren’t even in the same room? Web shows tend to figure these things out as they go.