What makes a good sci-fi pilot?

Any fan of genre television probably has a mental list of dos and don’ts when it comes to pilots. With so many entries into the sci-fi category in the past few years, we’ve seen them all. You probably have your own. These are a few of my “dos.”

firefly-pilot-episode

Mal Reynolds. Awesome. Not crazy.

1. Don’t overdo it on the exposition.

Nothing kills a pilot like heavy exposition, but there’s a little room for forgiveness with science fiction or supernatural settings. There’s simply more that needs explaining. Still, a long voice-over that tells us a bunch of information that we’re going to learn anyway, more organically, is a waste of time. The single episode of Delirium is the best recent example of this. In addition to boring the audience, the opening VO revealed a character much more mature and aware than the one who belonged to the voice. At the opposite end of the spectrum is the Orphan Black pilot, which left us saying “WTF”? In a good way. Continue reading

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