Okay, it’s compare-and-contrast time. American Horror Story fans, meet American Gothic. I’ve been thinking there is a resemblance there, beyond just the title, and the recent addition of enigmatic Sarah Paulson to the cast of the former prompted me to finally write this.
Let’s start with the subject matter. Subverting the archetype of the happy American family has been done in practically every genre of entertainment, but works especially well for horror. The idea of evil lurking beneath the facade of normalcy may be what scares us more than anything. Continue reading →
It’s been a while since I’ve seen a pilot that convinced me that the ensuing show was going to be something different. American Horror Story employs a lot of conventions we’ve seen before, yet this episode completely held my attention. I can’t exactly say I loved it–it’s no The Walking Dead, the brilliance of which I will never shut up about–but it has that thing. I can’t help but compare it to Locke & Key, which was screened at Comic-Con this year but never actually made it TV. The powerful aesthetic of American Horror Story (on FX) further convinced me that Locke & Key failed only because it was shopped to the wrong network, but I digress… Continue reading →